Centennial Newsflash

Plight of a Volunteer Paraplegic w/Jason Bassman

So much bass!  Last night!  My ears!  Brent’s good at it, but why did he take so long to do it?!  So much dedication to one night!  So much indifference to the last five years!  …I enjoyed watching him enjoy playing Glen’s songs.

Good morning.  The Keddiz explosion continues to jostle jugglers & rustle the rabble.  If you find yourself on that SHORT end, here’s a brighter bit I can PORtend:  For on 10/10/10, the Fall of 2006 will enter your frame like the undesirable din that’s doing the same.  Be there.

Andy Hurt wasn’t there last night.  Here are some statements made in light of that fact:  ”I feel better because of it.”  ”Finally, we can accomplish something we won’t have to delete later!”  ”Drums? I laugh with vigor!  Do you hear it? It’s the return of mouth noises!”

Please see this demo from the demo vault.  ”Bilge Juice for Sno-Cone”:

#mce_temp_url#

Sights & Sounds of the Unsightly Unsound

Friggedy FrankieDan bails us out

D. Cash shows offOnly way to get through it

This way to powerBrent preaches to the tiny choir

He Thinks It’s Called “Prono”: The Danny Cash Story

More highlights from last night:

–Danny feels it’s difficult to know what “needs” to list next to Glen’s songs on the Stat Sheet.  So he’s decided to just put “marimba and space noise” next to everything.

–Brent fainted when he found the word “ADOLF” on his thumb drive (which is filled with mean-spirited, Brian Kelly-mastered, non-deletable songs).  When Brent came to, Glen showed him that it was actually “A00LF.”

–Something about “Shiddy.”  I forget what.

–Danny dissed Zabaglione.  Glen now has no choice but to make this the best song on the record.

+++++++Keddiz

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Debutantes Bluegrass Gospel Hoedown Experience

So for a few weeks now it has been postulated that at some point we might throw together a “for real” bluegrass ensemble to record two tunes that lean in that direction, “Beauty Lay Beneath the Wheel” (a song central to our Murder at a Circus Sideshow mini-opera) and “With His Blood” (my best stab at writing a totally non-ironic, sincere-sounding gospel tune).

However, you know how things go for us. They don’t.

So imagine my surprise when Glen and I arrived at the studio only to find that young Daniel Sturdevant had actually returned to Su Su Studios OF HIS OWN VOLITION AND FREE WILL!  And not only that, he’d brought a guitar and a mandolin!

Well, I had never reckoned on this day actually coming to light, so I hadn’t bothered to relearn these songs.  I also hadn’t brought my acoustic.  All that was left was “Fiddlesticks” (aka “Ol’ Rockytop”), which is the name of the heavily “modded” acoustic guitar that I got back in fourth grade and learned to play my very first songs on. (Ironically, the first song I ever learned to play was “What a Friend We have in Jesus”.  So perhaps it was meant to be that I would play this crappy guitar on these songs, and bring it full circle.

Daniel was game, as was Glen, and after only a handful of runthroughs, we had both songs sounding tight as well as strangely authentic.  I played the crap guitar and sang while Glen played a shaky tomato and sang harmony, and Daniel played mandolin.

We then did a version with the same lineup, only Daniel switched to guitar, and then we had him do some overdubs.

It turned out really nice. I’m eager to get these mixed.

Two more weeks until tracking wraps! Stay tuned to see which songs get finished and which ones are saved for “Bicentennial”.

Hurtful Words with Andy Hurt

Back in 1737, when tracking began on Centennial, the world was a much different place. Dragons roamed the land and were hunted not for their “fire sacs” or “golden tufts”, but for their meat. As my grandfather’s grandfather’s grandfather (the first recording engineer to work on Centennial) lay upon his deathbed, 28 years after work on the much fabled album had begun, he made a request. It was this:

“Don’t work on that record. It will never be finished.”

Then, he died.

Forward to now, and it still isn’t finished. Two hundred and seventy three years later, not to mention the countless deaths associated with it’s construction, work still continues on Centennial…except for the drums.

Here’s proof:

Huzzah! I’m going to sit back, have a glass of wine, and enjoy my government pension.***

***In 1949, completion of Centennial was a responsibility assumed by the government of the United States. A campaign promise gone horribly awry, project responsibility was eventually handed back to the ancestors of Centennial’s originators. However, as a condition of the handover, all pension accounts associated with the project at the time were guaranteed for life, for all relatives involved, until completion.

I’m to not forget Äñus or Markus with six umlauts

Andy Hurt is useless now.  Drumming has concluded on Centennial. May he use this lull in his life to prepare for Centennial 2: The Listen-To-The-Songs-Ahead-of-Time Sessions.

He finished these five songs on the final day, Brent:  ”Masada,” “The Swede with the Shivering Hair,” “Defense,” “Super Fancy Baby,” & “Sam & Dave & Slayer”

Also, Andy Hurt will continue to attend Centennial sessions in order to “help us not fail.”  We continue to appreciate him more than we’ll ever let on.

–Keddiz

THAT’S A WRAP ON DRUMS!

Let the people know that on Tuesday March 2nd in the year our lord 2010, drum tracking for “Centennial” was officially WRAPPED.

Mr. Andy Hurt capped it off in bravura style (naturally), finishing no less than FIVE SONGS in one night, including “Masada”, “The Swede with the Shivering Hair”, “Defense”, and…uh….Glen?

Pics, blogs, thoughts, musings, snigglets, Jaywalking, etc to follow from Mr. Hurt, if not Glen as well.

Also, this: Anyus.

The Guy With The Head

The Fall 2006 classic “Centennial” is winding down in terms of official parts being added to its conglomerate, hidden treasure self.  Tonight will see the return of…I can’t recall his n….you know, the guy with the head.  He’d been suffering from Immune Dissolution Thrombosis, but that has temporarily subsided.

Let me take a moment to tell you how I feel about the Centennial project, a project that will define my life for a generation of Debutante band members for weeks to come:  I can’t help but think of all the people who’ve gone in and out of my life since 2005.  I dedicate Centennial to you, friends I don’t see anymore, girlfriends that I experienced those crises with, unfortunates I forsook, fortunates I forebore, selves I cared exclusively for, perpetuities I’ve yearned for, and the rest.

So I hope that counts as feelings.  Plenty is going on at the Su-Su-Studios of Dr. Feel Speculum.  Stay tuned.  Chairs are being moved from one room to another.  Snakes are being untangled.  Water bottles are dry and looking to be filled.  Funny videos are getting cued up.  Keep checking up.  Tomorrow, I’ll talk about how I got here.  It’s an embarrassing story that has been passed around for a few years now.

–keddiz, in ‘10

Thursday 02/25/10

Blogging is difficult for those who do not care about being heard, but who don’t want to be forgotten.  It is with this spirit that I begin another smokescreen in the hopes that you hold off on giving up on Les Debutantes.  Let’s summarize the nature of this band:

Les Debutantes are a loose collection of war veterans who make their own recording equipment out of spare electrical parts they find at Godo’s Junkyard in Okolona.  They use these tools on the catalog of songs they’ve conjured while in combat, asleep, in therapy, and on the Louisville light rail.  Officially to date, they have 695 songs in the bucket.  ”The Bucket” is a lemon-shaped pail at Su-Su-Studios into which the sheet music of new Debutante songs are “tossed in like so much nothin’.”  When it’s time to “de-bucket,” Les Debutantes “reach in, then lay it down,” such that a clown do frown.

Centennial–the 100-song album from the Fall of 2006 which has a hard release date of 10/10/10–is a project designed to use a fraction of those songs for some purpose other than having them as trophy-like memories of how Les Debutantes deserve to be making money just by being the people they are, thereby making it possible for them to quit their jobs (which they use for writing back and forth to each other about what could be if all goes as planned).

Les Debutantes love talking about the old days.  They rarely recall that the old days are just as bad as these days and the future will only get worse, if only because there’ll be more oppressive, obfuscating old days to make us feel bad about all that we eventually do wrong (in unknowing attempts to build on the irrevocable mistakes from the old days).

Keddiz is running for Mayor of Louisville in 2010.  I am Keddiz.  In my way, I am part of this band, not completely unlike how Kendrick Samson is to this day.  If you don’t know Kendrick Samson, it doesn’t matter.  But please know me, because if you haven’t noticed…the candidates this year, if I can be candid, are very much sub-Keddiz.  Let us have Keddiz in ‘10.  Really.

Don’t Throw Your Vote Away

Vote for Keddiz, Come What May!

In conclusion, last night we talked about a Justice League cartoon and all of Brent’s other projects.  And it turned out that my Devo color is green.

—Keddiz

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Press Release: Deb Recording Moved

Les Debutantes will be recording tonight….but not at Su-Su-Studios.  They’ll be at Su-Su-St-Adios, which is located somewhere east of Keddiz’ raised middle finger.  J. Brent Stewart of the Ravenna Colt–a band that gets their name from both an anagram, “Carve Your Soul, Buzzard!” and their motto: Reach And View Each New Night As Christmas Omens Lengthening Tenacity–will most assuredly not be there.

In other news, Danny, Glen, & Andy have formed a new replacement band called “The Furious Forlorn,” which features VST plugins, legitimately caring about what we’re doing, no bass, and low satiny stocks.  Many songs of ours have already been covered by others.  For instance:

http://video.adultswim.com/tim-and-eric-awesome-show-great-job/tony-and-tims-totally-awesome-vacation.html?cid=vplayer_tim-and-eric-awesome-show-great-job_tony-and-tims-totally-awesome-vacation

Press Release: Brent Stewart to attend recording tonight

A statement was released at this very moment today to inform Debutante band members and fans that J. Brent Stewart (roughly one half of the Debs quartet) would indeed be at recording tonight, Thursday February 25th, the year our lord 2010.

“I’m not sick.  There hasn’t been a blizzard.  I don’t have a family birthday party to attend.  Jonathan Richman is not playing a concert tonight.  I am not attending a U of L game. I have not crapped my pants.

“I am completely at a loss for reasons that I cannot attend recording.  Therefore, it is my intention to attend.”

A rebuttal is expected from the Reid/Cash/Hurt Conglomerate sometime within the hour.

[in the Su-Su-Studio with Dr. Feel Speculum]

Try not to miss these posts when they happen!:

http://www.fall2006.com/su-su-studios

Ravenna Colt = Next Big Thing, so Debs can suck it

Well, no less than the esteemed blog www.backseatsandbar.com has declared the Louisville debut of the Ravenna Colt a smashing success.

Read the glowing review here:

http://backseatsandbar.com/2010/02/23/review-the-ravenna-colt-roman-candle-219/#more-9223

This, naturally, brings about questions: will Glen’s jealousy allow him to move forward with Centennial, or will he spend his recording sessions with Danny creating demonic portraits of himself and his nemesis/partner?

Why don’t you check out our Facebook page and find out?

In other news, I don’t know what has been going on in the studio. I haven’t been there in three weeks, due to dinners with friends, blizzards, illness, and Jonathan Richman concerts.

But I will return on Thursday, and here is what I know: I have learned bass parts to two of Glen’s songs, I have written lyrics to “Defense”, I have lyrics ready for several other songs, I also play bass and guitar, and I’m a bit of a dancer, too.

Will Glen be willing to bury the hatchet somewhere other than in my back? Will I be able to choose between first and third person while composing my blog entries? What have they been doing while I wasn’t there? Will Keddiz return to his campaign platform?  How did Andy’s Creature Island show go?  Is anybody listening to me?

Hurtful Words with Andy Hurt

Since we’re writing about other bands we play with I’d like to inform you of a couple of my upcoming “projects.” First up is Thailand, friends and former band mates of mine who live in Los Angeles (www.myspace.com/welcometothailand). I’ll be playing drums on about half of their upcoming sound offering. The other one is my pal John Whitaker (www.myspace.com/johnwhitakermusic). I’ll probably just do some percussion on his record.

Both of these will be released in the next year or so.

Other than that I have my regular Creature Island duties, on hold until early April so another former band of mine, Follow The Train, can reform and play a record release show.

As for Les Debutantes, once Brent finishes his stint in rehab I’m sure we’ll have launched a new website, www.fall2010.com, by then and will have begun putting the finishing touches on Centennial.

you should have seen him [From The Thick, Wooded Glen]

You should have seen him…J. Brent Stewart, current bassist for the Ravenna J. Colt and former member of Les Debutantes.  I was there, right in the front row, staring him down like an animal.  I was an animal last night!  Brent played the bass with BOTH HANDS and managed to thump the crowd into the kind of frenzy you come to expect from a rock show at a bar throughout the last fifteen years.  Stewart was the solid part of the Ravenna rock, the fruit in the band’s apple butter, the A to John’s ‘merica, the best pun in a party-time funny book.  It was truly the best concert of recent memory.  Like my wife said (and I agree), “Brent really is a great bassist.”

They were good.  It’s good music.  If you want to hear music that has been MASTERED, RELEASED, FIXED IN THE MIX, and EMBROILED IN A FERVOR THAT AROSE FROM THE AFFECT THAT THE MUSIC HAD ON ITS LISTENERS….then check out the Ravenna Colt’s new album.  Brent Stewart, Les Debutantes will miss you, but we hope you find the success that Centennial would have given you if you’d just waited another eight months.

Stat Sheet Update

status sheet update

brent

You ever get the sense that Brent cares more about things he has to do that he won’t tell us about, than the things he must do that we all know EVERYTHING about?  I’m getting that sense now.  Let’s do a quick profile of The Ass of Bass:

sex: male

age: 24

status: engaged

height: 5′8″

race: black

blood type: C-

ACT score: 38

outlook on life: always positive

descr. of family crest: an eagle perched on a great oak with a black sun in the distance

occupation: sells Tandys

favorite food: flan

favorite drink: hot chocolate

cats’ names: fluffy, britney, bubby, booby

favorite game:  Sneak King

favorite artist: Big Audio Dynamite

famous quote: “I wish this night would last forever!”

favorite basketball player: a Diener

best attributes: courage, intelligence, kindness, sense of humor, curiosity, street smarts, potential

worst attributes: n/a

favorite TV show: JAG

Hurtful Drumming with Andy Who Is Hurt

Here’s the video of the drumming. Notice the simplicity, and the toothpick in my mouth. I almost always have a toothpick in my mouth. If I don’t I’m usually wondering where my toothpicks are. Also, I had taken a Vicodin a couple hours before. That just seemed important for you to know.

Les Debs Record Something

Danny Cash Graphic Design [dannycashdesign.com]

http://www.dannycashdesign.com/

I never recommend anything to anyone.  So understand the significance when I say that I HIGHLY recommend the design work of Danny Cash.  Whether you’re looking for ads, brochures, CDs, displays, environmental designs, and so on….you can expect innovative, professional, effective graphic design from his office.

Take a look at his website, which hints at the variety and impressiveness of the work.  Contact him today and recommend him to others.

http://www.dannycashdesign.com/

–J. Glen Reid, Songwriter & University Administrator

from the thick, wooded glen

Even though the family car was destroyed on Tuesday, I still made it to recording on Wednesday.  By the light of DCC’s lava lamp, as it lightly heated the skin of Trixie’s Pot Stickers, I found myself singing endlessly, sans results to find pride in.

An Expert on Barriers has been in the works for about twenty years.  We’ve been writing, rewriting, not righting, but riding its buzz for that whole arid era.  Some think the tune means less than photoshop switchings of father-and-son heads.  A lonely me in the other room couldn’t agree less as I fight the urge to cry and go home…in a car that I do not own.